Rock, Paper, Shotgun

Turin Turambar says:

What you win in a RTS having “clarity and precision” is what you lose in the “strategy and tactics” part. So, it’s all about what type of competition you want, a competition about precision with the mouse, or a competition about strategy with the brain.

no1caresbutu says:

I have never before seen someone so thoroughly and viciously thrashed in an argument than what Rev Stuart Campbell did to Bruce in the comments section of that post about Imagine software.

Kadayi says:

Interesting read by Bill Harris, and his explanation of and history of ‘The Brute’ (they want our women..and our women might like it…OMG big penis alert!!! oh noes!!!). The only contention I have with ‘the Brute’ is that it was pretty much an American racial stereotype very much tied to those born free from slavery (one that’s haunted African/Americans since), but isn’t necessarily true for how the world at large perceive all non African/American black people. The Italians and the Germans are both white, but there are completely different racial stereotypes (both positive & negative) regarding both. I don’t think people necessarily put Gang bangers in Compton, Haitians and Kenyans all in the same stereotype box tbh, it’s a bit broad brush to assume ‘the brute’ translates collectively across continents. However there are certainly some pretty negative stereotypes to be found in Africa with genocidal tribal conflicts and despotic regimes leading the charge, and I think Africa was a poor choice for RE5s setting, given the conflicted nature of the region.

RichPowers says:

I never finished StarCraft because the game’s caught so far up its own ass with little nuances and micromanagement. How again is that supposed to be fun? I’ve always favored RTS games that focus on broad strategy. SC’s rampant popularity totally escapes me, but then again I also think Counter-Strike is a stinking turd too.

Dinger says:

Harris argues:

When Capcom sells games into a different culture, though, the onus is upon them to have a basic understanding of what would be considered offensive in that culture, just as American developers must do when they sell games in Japan.

The ‘Brutal Black Buck’ as an American stereotype existed in the Antebellum South too, since at least the days of Nat Turner, just as the ‘Tom’ stereotype predates Uncle Tom’s Cabin.

I suspect it’s a little pointless and academic to go into the full history of the stereotypes to explain why this trailer, and presumably the game, is racist in the US. In fact, it’s a bit of a cop-out claiming that it’s merely cultural insensitivity on the part of a Japanese development team.

I mean, we’re talking about Zombies here. The term’s popularity is owed to a sensationalized (and racially informed, if not outright racist) notion present in Afro-Caribbean religions.
The use of zombie hordes is largely due to the impact of Night of the Living Dead. In Romero’s films, zombie hordes were so effective in part because he could contrast the close social dynamic of the group of survivors, while dehumanizing the hordes of normal people. Night of the Living Dead was in part a commentary on the racial strife of the 1960s. Dawn of the Dead mocked 1970s consumer culture.

Zombie hordes work because they’re human, and they establish two different levels of humanity: zombies and normals. So when you use zombie hordes as a mechanic, you are automatically differentiating between two groups of humans. Unless you’re going to get fancy and suggest that the normals are no better than the zombies, you are going to present the zombies as subhuman monsters.
White guy in an African Village treating the angry inhabitants as subhuman to justify slaughtering them all isn’t just an American stereotype: it’s colonial history, and Japan has its own issues with that.

Kommissar Nicko says:

That Everiss v. Campbell thread is nuts; it’s an exhausting read, to be honest, and I’m not well versed in C64 and Spectre (both before I was born). However, I did find the Reverend’s insinuations that successful platforms equate to easily pirated platforms rather intriguing, especially in light of Stardock’s recent Sins success.

Also interesting is the way that Campbell would thrust, and Everiss would dodge (rather, ignore). Though I will also contend that Campbell, for all his argumentative prowess, seems off his rocker too.

Dinger says:

E vs. C: Everiss was trying to make a blog post to suggest that piracy has always been killing games companies by drawing a parallel between the current retail vs. P2P crisis with the Winter 1983-84 “twin tape-deck” crisis.

The parallel pretty much falls apart when he asserts that the schoolyard “discovered” twin tape recorders in 1984.
I remember PC (er. Pet) user groups of 1980, and I don’t need a revisionist account of what methods we had and didn’t have to copy software. Humans are social animals.

Rev. Stu was trying to suggest complete and utter mismanagement rather than piracy. He goes overboard trying to point out the falsity of every one of Bruce’s assertions.

But three things bubble up:

A. If Bruce wants to argue his point, the strongest he can get is that “Megagames were develop in response to piracy; Megagames failed, and Imagine closed shop; therefore piracy killed Megagames.”
Not only is it a bad case of the single-cause fallacy, but it’s a bit like blaming the Challenger crash on the prohibition of asbestos: “The original O-Ring design had asbestos in it. Asbestos was banned, so they changed the design and materials. The new material failed, causing the massive explosion; therefore, banning asbestos killed seven astronauts.”
Or, simpler still: “Heavy rain killed all those people, not our defective roof design.”
Piracy is an environmental force. We can debate until the end how much damage it does and where, but the fact is that it exists, so go figure out how to make money in a world with piracy. And there are plenty of companies that are doing just that — some by building stronger roofs, others by moving to where it doesn’t rain so much, and some by just staying in budget and on time.

B. Bruce mentions how they survived the PS1 Piratocalpyse:

We survived (and had to make 20% of the workforce redundant) in the two year gap mainly on PC games, most notably Operation Flashpoint which went to number one in every country with a chart. We put a massive amount of effort into anti piracy on this game. Our PC games without anti piracy, like Severance, sold very little.

Yes, but the implication, FADE = success, doesn’t work. Severance sucked, as the Rev. Stu pointed out. There are still quite a few people playing OFP today (not ArmA, but OFP itself). In BIS’ post-mortem, Marek himself points out:

One very concerning thing was that our final CD was still manipulated by the publisher. The publisher applied SafeDisc protection to the final code, which caused some unexpected compatibility problems that we weren’t able to control. The mixing of various SafeDisc versions and a serious compatibility problem with Windows 2000 that was present in the first European batch of CDs could have been avoided.

At some point, OFP patches did away altogether with copy-protection. Whether copy-protection for OFP was needed is one argument, but saying that the copy-protection employed in OFP contributed to its success at the very least challenges the data available: FADE was a liability.

C. Underlying Bruce’s argument is a false assumption. That is, “software sales must be retail.” I know, he nuances this himself, but that’s the underlying notion. The problem is that, like music, it’s now far easier to distribute software on the internet. P2P is taking off because people have the bandwidth such that pirating games across the internet is trivial. So is downloading them at pay sites. Meanwhile, many developers are still dealing exclusively with retailers, most of which do not specialize in software, and the particularities of software distribution (the W. H. Smith example of “free returns” being one), which cost the developer far more than online distribution, and which is much less flexible than digital release. (How much lead for a print ad campaign vs. an online one? How far in advance do you need to secure bandwidth for massive downloads?)

Dinger says:

Cool! Bonus points if there’s a reference to Thales and the Olive Presses. (Or I’ll end up doing it myself)

Winterborn says:

I thought it was set in Haiti not Africa?

Peter Perpendicularly says:

>The comments thread has been cleaned up a little, but even
>what remains is a bit like the ball scene in Carrie.

Regrettably, some kind of accident has resulted in Mr Everiss deleting and/or silently altering his own comments too. For example, post 26 (”Deleted”) once featured his brilliant rebuttal,

Stuart you really have no idea what you are talking about. As I have said repeatedly, I was there. You only have, at best, third hand accounts. If Ian Hetherington, David Lawson and Mark Butler all said that my article was rubbish then I might have a think about it. Meanwhile it is the most accurate account of the demise of Imagine yet written

while the new version of post 106 (”Deleted”) deprives us of a long, factually unimpeachable analysis of piracy including the damning evidence,

It also killed off PSX development. Has stunted PSP development. Helped kill off the Dreamcast. Has destroyed the PC boxed game market

so crushing that Mr Everiss immediately announces his resignation from the discussion because he has better things to do; post 135’s absence (”Deleted”) unfortunately eliminates Mr Everiss’s proud list of industry achievements; and post 143 (”Deleted”) self-effacingly removes Mr Everiss’s brilliantly well-constructed, logically coherent, point by point demolishing of an ungrateful malcontent (”I thought that I would point out some glaring inaccuracies…”).

Not to worry though, readers, as these and other deletions and silent alterations are in the process of diligent recovery from iterative copies of the page so newcomers, other interested parties and posterity itself can be certain of seeing the complete story Mr Everiss has so modestly edited.