See, you get those sweet ass innovative IF’s, like this or that Beauty and the Beast one, and then you get the “you’re just playing a novel” IF’s, like Anchorhead. Anchorhead is tres gut, although I never got far enough in it…

…shortly followed by “throw pasta at woman”, that is.

Ooh, it turns out “throw sauces at woman” is the best one yet!

I needed a walkthrough, sadly.

Also, try “think about suicide” for something chilling.

I’d noticed that actions that dwell on the past lead generally to sad or dark endings, things that act on the present lead to silly or happy endings.

Or I could just be missing a whole bunch of endings I hadn’t tried yet.

“take woman’s trolley” reveals that when the woman isn’t named Clare (she’s not your Clare but a different one in “ask woman her name”) she’s probably named Kate. It’s also the only ending I’ve seen so far that “you” meet kate’s boyfriend/husband instead of being escorted out by security when you do something mean to her.

“Woman, undress” is another funny-psychopath one and reveals that psychopath-”you” is apparently named Clark. THE BEST ITALIAN SUSPENDERS!

General thought on the game: I think it’s more of a parallel universe scenario than Groundhog Day. There’s no time loop, because the game always ends with every action. It seems to me that every action leads to a different parallel universe, which makes sense given what the introduction tells you to begin with. Some are ordinary-you(no clare but no mental illness), some are happy-you(you and clare or you and the other woman), some are grieving-you(clare’s dead, but you haven’t gone nuts) some are funny-psychopath-you, and some are grim-psychopath-you.