I’ve talked a lot about the setting of BioShock: Infinite, but let’s not lose sight of what the game really exists for. To (Booker De)whit, shooting people in the face and magicking them to death. (Actually I’m also going to talk a whole lot more about the setting too, because I can).
The combat aspect of the game is broadly in keeping with BioShocks 1 and 2, though amped up noticeably, while the environments feel significantly more open and the bulk of your enemies are straight-up police and soldiers rather than the creepy, scuttling Splicers. It does perhaps feel a less distinct combat experience than its predecessors despite the dramatic, often open-air backdrops, which is partly because shooting soldiers is such a familiar 21st century videogaming experience and partly because the weapons available in those fourish hours I had generally cleaved a little closer to a traditional videogame arsenal, even though they were in theory from an alt-universe 1912.
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