I mean, if you haven’t already. Our fine chums over at Eurogamer only went and produced a bunch of scintillating video coverage of GDC, complete with appearances from a selection of gaming royalty. The full round of up episodes is here. “Guests will include the artist formerly known as Cliffy B, Frontier’s David Braben and Peter “You never know, he might accidentally announce his new game” Molyneux.* Not to mention Ron Gilbert of Monkey Island fame, Minecraft creator Markus Persson and several more.” That line up talk games, and pretty much underline why GDC is such an important conference, each and every year. Worth a look.
Posts Tagged ‘eurogamer’
By Jim Rossignol on March 7th, 2011.
By John Walker on February 28th, 2011.
After Richard Cobbett’s impressions of You Don’t Know Jack, it encouraged me to go all the way back to the beginning to play the original 1995 edition. And then write about it for Eurogamer. It contains things like,
“It’s a quiz game. And wow, do those usually suck as videogames. The late nineties and early 2000s were a time of great darkness, as those who cared about gaming looked at the best-seller charts and saw inane, lazy crap like the Who Wants To Be A Millionaire and Weakest Link games sitting in the top spot, presumably bought by the masses resulting from a mad scientist splicing slug brains into humans. But You Don’t Know Jack was something else. First and foremost, it began as a videogame, despite a few attempts at making television shows out of it. It was intended to be played this way. Yes, it pretends to award prize money, but here it acts as points for a high score. And it was really damned funny.”
You can read the rest here.
By John Walker on February 2nd, 2011.
Back in 2008 it came to our attention that a German team, Daedalic, were planning a slew of new adventure titles. Of those, the environmentally themed A New Beginning has recently received it’s German demo, The Whispered World has been released and was flawed but charming, and finally there was Edna & Harvey: The Breakout. It’s out very soon, and my review has appeared on Eurogamer. For a taste, read on.
By John Walker on December 6th, 2010.
Do you know what I did? You do? Oh. So yeah, I wrote about Tron 2.0 for Eurogamer. With the new movie coming out soon, it seemed a good time to go back to a game that is oddly similar to the plot of the next film. I wrote words. Some of them were:
My lasting memories were of three things: 1) The pink worm monster thing I could never beat. 2) The light cycle races I could never win. 3) The Disc weapon. What I’d forgotten was that it was in many ways as much of an RPG as Deus Ex. Not only is there a good deal of walking through friendly areas, or areas populated with friendly NPCs at least, but there’s a lot of chitchat with them and your companions. Combined with this is the levelling up – something that’s so incredibly rarely featured in an FPS. And then on top of that is the absolutely superb way it lets you add in various abilities, augmentations and weapons.
By John Walker on November 22nd, 2010.
A hundred years ago, when I first started out writing reviews for PC Gamer, I was sent the adventure games. This was partly because I knew a lot about adventure games, but mostly because they were far more likely to be awful. And everyone hates me. Which meant I suffered at the hands of Myst. Myst, a game more tedious than being shown someone’s photographs after they’ve been on holiday to Swindon, spawned so many copycat pre-rendered mechanical-puzzled miseryfests. And sure, while they paid my rent, my loathing grew and grew. You may have played Myst when it first game out, and in your youthful naivety mistook it for something not purest evil, but I’ll bet you didn’t play Dracula: Resurrection, Jerusalem: The 3 Roads To The Holy Land, or Arthur’s Knights 2. Or Schizm: The Mysterious Journey. Or The Secret of Nautilus. Or The New Adventures Of The Time Machine. Or The Watchmaker. Anyway, the point being, I’ve written a retro of the original Myst for Eurogamer. Choice quote below.
By John Walker on October 18th, 2010.
Playing old games makes you more handsome, so in my desperate struggle to ascend from “bridge troll” I’ve created another retrospective for Eurogamer, this time about Indiana Jones & The Fate Of Atlantis. Made at the same time as The Secret Of Monkey Island and The Dig, I argue that it’s the best of the three. Despite not having any fondness for Indy. I say:
“It’s a good job the Nazis didn’t have access to all the mystical, powerful idols and machinery that gaming would have us believe. Although it’s equally odd that our fiction wants to take one of the most horrific and murderous forces ever to have existed, and suggest that had they only got their hands on the Holy Grail or secrets of ancient worlds then they could have caused some real trouble. But such is the way of both gaming and the Indiana Jones franchise, and so once more the good doctor is trekking about the planet, trying to beat the Nazis to finding the lost city of Atlantis.”
By Alec Meer on October 15th, 2010.
Perhaps a little outside our bailiwick, but given a fair few RPS commentors seem to have worked on or hope to work on games it’s well worth covering this, I think. Eurogamer’s Johnny Minkley has spent months investigating the UK government’s relationship with games, with this third chapter specifically looking at what this country is doing to train up tomorrow’s developers.
Short story: if you’re planning on getting onto the games industry via the academic route, this is a must-watch. The same’s probably true if you’re an employer looking around for new talent. Or if you just like watching the likes of David Braben, Peter Molyneux and Ian Livingstone.
Read the rest of this entry »
By John Walker on October 11th, 2010.
It’s important to admit when you’re wrong. All my life I’ve maintained that The Curse Of Monkey Island was rubbish. So I went back to check, and found out that, well, it’s not. So many of the puzzles are. The tacky line drawings often are. But it’s a better game than I’d remembered. I write all about it over at Eurogamer, including this representative paragraph:
With series regulars like the Voodoo Lady and Stan appearing, now it seems daft that the game works so hard to reintroduce them. But with over half a decade having passed, a good proportion of the potential audience wouldn’t have had any idea who they were. Plus a lot of the references were starting to feel dated back then and now seem positively archaic.
During my eighties childhood, about 70 per cent of the programmes I watched included quicksand at some point. To misquote comedian Adam Carolla, until the age of 10 I was certain I was either going to die by falling in quicksand or by being eaten by cannibals who would first make me their god. Now, outside of madman Bear Grills’ on-screen suicide attempts, there’s not a drip of quicksand to be found. And worrying about being eaten by cannibals is perhaps considered culturally insensitive.
By John Walker on October 4th, 2010.
Sometimes, with enough time travel and science, it’s possible to play games from the past. For instance, last week I played Uplink. Then, having done this, I wrote about it. Eurogamer kindly agreed to publish this article on their website, and now I link to it. It’s the circle of life.
I think it taps into a nightmarish fear that we all must have experienced at one time. That thing we did, or may have done without knowing it, that catches up with us. Like that time I paid for a packet of Fruit Pastilles in pennies, knowingly one coin short, and the man in the petrol station said to me: “I won’t count it. I’ll trust you.” Mobil closed down a few years later, which surely has to be at least partly my fault, and I know that one day the policeman will knock on my front door. I’ll look up from the jigsaw puzzle I’m completing with my wife and our two children, and he’ll say, “Are you John Walker? I’m going to have to ask you to come with me.”
By John Walker on September 6th, 2010.
Ever since I visited the ill-fated Iron Lore in 2005, I’ve wanted to find the words to talk about a peculiar response I had to their level editor. It’s taken me this long to gain the vocabulary needed to even take a stab at it, primarily gained/cribbed from the essays and thoughts of film theorist André Bazin. (Whom I confess I first discovered through Linklater’s excellent Waking Life, rather than from the half a degree of film studies I slept through in ’98.) And so, smuggled onto the internet in a large wooden retrospective article on Titan Quest, my thoughts on the teleological nature of level editors. I don’t know how successful I’ve been, since I’m massively out of my depth without a useful background in either philosophy or semiotics. The EG commenters appear to have opted for pretending the article was only one page long, which is understandable. I’m nervous of what happens if someone who knows what they’re talking about responds. There’s a quote from it below, since I’ve waffled so much up here.
By John Walker on August 23rd, 2010.
With only coincidental timing, this week I wrote about the original Grand Theft Auto for Eurogamer – Dave Jones’ game that spawned the empire that led to his creating APB. Does the top-down 1997 original stand the cruel passage of time? Is it still controversial? I write:
It’s not like gaming had been an innocent pursuit until 1997. Obviously not. But it was the year that things got noticeably controversial. (The same year also offered us another chance to mow down innocents with Carmageddon.) And when a mainstream game from DMA – who had entertained us with suicidal green and purple rodents – contains lines like, “My brother knows I’m bangin’ his wife. Waste the sonofabitch before he finds me,” it comes as quite a surprise. To go from Christmas Lemmings to people shouting about “getting pussy”… it’s like your gran revealing she used to be a porn star.