Posts Tagged ‘interview’

Freedom And Fantasy: Pillars Of Eternity Interview

By Adam Smith on July 24th, 2014.

Pillars of Eternity was, briefly, gaming’s most successful Kickstarter, at least in terms of funds raised. Like many crowdfunded games, particularly in the early days, it’s a project driven partly by nostalgia. A party-based fantasy RPG in the style of Baldur’s Gate and the other Infinity Engine D&D games, it has a strong heritage to live up to. Obsidian’s Josh Sawyer is the director of the game and I spoke to him late last week about theology, flagellant monks, freedom from licensing and respecting player’s choices. We also talked about his desire to make a historical RPG and his previous work, particularly the design of Fallout: New Vegas.

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Braben On Star Citizen, Elite 2 Bugs & Rude Planet Names

By Alec Meer on July 24th, 2014.

A short while ago I ran the first part of my recent interview with Elite co-creator David Braben about space, VR and other Dangerous-related topics; here’s part two, in which I mutter questions from RPS readers at him, on topics ranging from Wallace and Gromit to obscure Elite 2 bugs, before posing my own questions about his take on Star Citizen, and exactly who all these people throwing shedloads of money at space games are.
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The Flare Path: John Tiller, Boredom Killer

By Tim Stone on July 18th, 2014.

Today in FP I question a man who has been testing, besting, and interesting PC wargamers for nigh-on twenty years. In my imagination, the legendary John Tiller lives in a hexagonal mansion/pillbox atop a hexagonal hill in Hexham, Northumberland. He never drives anywhere without first checking which hexes are visible from his destination, and setting aside sufficient Action Points for unloading. Read on to discover just how accurate my mental picture is for pithy personal reflections from one of wargaming’s most popular and prolific designers. Read the rest of this entry »

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Braben On Elite, Oc Rift, Dodgy Gravity & Doing Space Right

By Alec Meer on July 16th, 2014.

At last week’s Develop conference in Brighton, I grabbed a half hour with Frontier Developments boss David Braben to talk about what’s going on with Elite Dangerous (fresh from my own wide-eyed experiences of it on a VR headset). Discussed: space, Oculus Rift, why FIFA games don’t sound right, how Star Trek doesn’t talk about gravity, developing in the public eye and publisher-free, and the resurgence of joysticks.
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Red Sky At Night: Tale Of Tales On Sunset

By Richard Cobbett on July 14th, 2014.

'Another good day for shepherds then,' sighed Angela.

Sunset is the latest game/project from Tale of Tales, creators of Lego Star Wars The Wolf Among Us many artistically minded offerings like The Path and Fatale. It’s already doubled its Kickstarter goal with its promise of a very different perspective on war; not a man with a gun in the field or some faceless general, but a woman with a feather duster in a luxurious apartment, given one hour a day to both make things tidy and make a difference. I spoke to creators Auriea Harvey and Michaël Samyn to find out more about their subversive take on modern warfare, and the challenges of making a very different kind of experience to their usual projects.

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How Epic Hopes To Avoid Pay-To-Win With Fortnite

By Nathan Grayson on July 9th, 2014.

Fortnite is, technically speaking, Epic’s first free-to-play game. The crayola colored smash-and-shoot-and-loot-and-build-er is being designed primarily as a co-op thing, but with persistent MMO-style progression underlying it all. There’s also still-nascent PVP in the works, further necessitating balance in the name of fair fun. Fortnite is, however, a giant mixed bag of moving parts, multiple genres (action, building, crafting, a Gears-of-War-style horde mode, etc) mashed together. How do you make all of that free-to-play without mucking it up?

I asked producer Roger Collum about Epic’s plans, influences from games like League of Legends and Team Fortress 2, the potential emergence of a tedious grind with things like XP boosters in the mix, whether or not you can really equate time and money as free-to-play devs so often do, and more. It’s all below.

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A Mysterious State Of Mind: Virginia Interview

By Adam Smith on July 8th, 2014.

Virginia set up camp in our collective consciousness the moment we saw its stylish agents and what looked like a small town diner. Inspired by Twin Peaks, The Outer Limits and The X-Files, it’s a game about the investigation into a missing person case in one of America’s first States. This is an America in touch with its fictional history as well as its actual past, and I wanted to know more about how those influences will sit together, and how the game would actually play. I also took the opportunity to ask the team about a few of their favourite things. The team are designer/writer Jonathan Burroughs, animator/artist Terry Kenny and composer Lyndon Holland. Here are their answers.

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Ubisoft On Far Cry 4′s Story, Box Art, Team Diversity

By Nathan Grayson on July 1st, 2014.

Far Cry 3 was a lot of things, but a narrative tour de force wasn’t exactly one of them. To hear Far Cry 3 writer Jeffrey Yohalem tell it, there were good intentions putting the wind beneath its hang gliders, the komodo (and/or blood) in its dragons, but the end result was rather… misguided. When Far Cry 4 was first announced, it seemed like it might be off to a similarly shaky start with box art that left some feeling uncomfortable, but the E3 game demo ended up telling a different tale.

That said, we still don’t know much about this one is about, so I sat down with Far Cry 4 narrative director Mark Thompson to talk premise, plot, controversy, the inherent problems of videogame info hype cycles, and heaps more. Machete your way past the break for the full thing.

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Pay To Play: Notch On Minecraft And Monetisation

By Adam Smith on June 23rd, 2014.

You may have heard that changes are afoot in the world of Minecraft. You may also have heard that nothing much is changing at all. The story of monetisation, community and servers has led to plenty of discussion and rhetoric from various sides, and the issues at the heart of the situation haven’t always been clear. I spent some time last week looking into the rise of for-profit Minecraft servers, a development I hadn’t followed over the months. Armed with fresh knowledge and thoughts, I spoke to Markus ‘Notch’ Persson, the game’s creator and Mojang’s majority owner.

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The Ultimate Torment Interview Of Ultimate Torment, Pt 2

By Nathan Grayson on June 19th, 2014.

I very much want Torment: Tides of Numenera to be excellent, because the world needs more Torment. Not in the literal sense, of course; the world is a miserable place. But Planescape Torment was a wonderfully different sort of RPG set in a wonderfully different sort of world, and another descent into the gnarliest bowels of fuckweird would be quite grand. Numenera’s still a ways off at this point, but inXile seems to be on the right track. Yesterday we talked combat and why quality is more important than size, and today we continue on by chatting about why Planescape Torment *wasn’t* perfect, what that means for Numenera, the recent delay, and why we won’t just be able to attack any old random NPC. All that and more below. 

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The Ultimate Torment Interview Of Ultimate Torment, Pt 1

By Nathan Grayson on June 17th, 2014.

Madly anticipated Planescape Torment spiritual successor Torment: Tides of Numenera has been delayed. We won’t be able to probe its strange, sloughing depths until late 2015, which is a shame except that if inXile released when they were originally planning to we’d probably get a stack of concept art and a mountain of design documents instead of a game. Torment’s Kickstarter wrapped up more than a year ago, though, and it has made progress. Big progress. I spoke with project lead Kevin Saunders, creative lead Colin McComb, design lead Adam Heine, and new lead area designer George Ziets about how the game has evolved. In part one, we discuss combat, how backers have influenced the game, using Pillars of Eternity tech, why Torment will be more about quality than size, skill systems, and story changes. It’s all below.

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Interview: Northern Shadow’s Plan To Rebuild RPGs

By Nathan Grayson on June 5th, 2014.

Northern Shadow has the potential to be utterly immense. The plan? Fuse a Skyrim-like open-world RPG with a Banished-like city builder. Explore, build, interact with an AI-driven sandbox, go on quests, construct cities as you please – all of it. Oh, and it’s being developed by only two people. I’d say it sounds entirely impossible if not for the fact that the fantasy I’m-not-even-sure-what-you-call-this-er’s first trailer looked rather spiffy. I wanted to know more about the game’s inner workings, though, so I got in touch with developer Arda Güneş to find out how big the world will be, whether the game will be a true sandbox ala Mount and Blade, how city building and adventuring will fit together, how combat will work, what this summer’s Early Access release will contain, and tons more. It’s all below.

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A Game And A Chat: Transistor

By Nathan Grayson on May 23rd, 2014.

Transistor has hit these mean cyberpunk streets, and I’ve beaten it up, down, and sideways. Or just, you know, the normal way. I thought it was pretty good, but I also came away ever so slightly disappointed. The world was gorgeous, the story was nuanced in surprising ways, and the combat was better than it had any right to be, but all three came so tantalizingly close to touching the sun that my heart sank when they fell. What brought us here, though? What went wrong? What went right? How do SuperGiant’s games always integrate gameplay and music so incredibly well?

Today I’m playing Transistor and chatting with creative director Greg Kasavin and audio director/music man Darren Korb. We’re getting started at 11 AM PT/7 PM RPS time. Transistor, Bastion, beards of lordly caliber – it will probably all be discussed. Tune in below!

Update: We’re done! And it turns out my camera/mic was not working through the whole thing, so it was kind of a disaster. Welp.

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