I was travelling into the forest with a hunter who had seen a griffin slay dozens of men and women. The ground was still puddled with blood from its most recent massacre, but it was another act of violence that drew my attention. In conversation, the hunter revealed that he was chased from his village because his neighbors discovered that he was gay. Now he lives by himself, away from the judging eyes of his peers. Despite being forced from society, he still helps bring an end to the griffin, to relieve those who shunned him of further suffering.
“Even though it’s a fantasy game, we want to make sure that it feels real,” said Jonas Mattsson, senior environmental artist at CD Projekt Red. Reaching that goal begins with how people are presented in The Witcher 3: Wild Hunt (official site), the first three hours of which I’ve now played.