Cold War Tech-Noir: All Walls Must Fall

All Walls Must Fall [official site] is the first commercial release from inbetweengames, the indie studio founded by former members of Yager, developers of Spec Ops: The Line. It’s a “tech-noir tactics game” set in Berlin 2089. This is a Berlin still divided by a wall and a world where the Cold War never ended. To navigate its perils and its nightlife, you’ll use a combination of social stealth, time travel and combat. It looks delicious, like a propaganda-powered, post-Syndicate dream.

Almost everything that inbetweengames have said about the game makes me hungry for more. Here are the basics though: it’s a pausable real-time tactical game with procedural levels, actions performed to the beat of music, simulated crowds and destructible objects, and a story that involves time travel, geopolitics, love and oppression.

Over the course of a journey that jumps and loops through a single night in the city, players will unravel the conspiracy keeping East and West locked in struggle and oppression. As lines between factions become blurred, choices become difficult. Which side to play? Who to side with? When both time and free will are an illusion – who can you really trust? Will your actions tear down the Wall, bring stability, or perpetuate a cycle of war and terror? In the end all walls must fall.

I’m pleased that nightclubs seem to play a big part in the setting, not only because that fits with my memories of actual Berlin but because I’d quite like every action scene to take place in a nightclub. The finest scene in the very fine John Wick is a good, recent example of the form. All Walls Must Fall will have “synaesthetic nightclub environments and audio”, apparently, which sounds like an excellent thing to include in a game.

It’s not yet clear how the time manipulation mechanics and social stealth will play out but I’m keen to see more. And I’m just as excited to see what inbetweengames will pull off with the plotting and setting. I liked Spec Ops: The Line well enough but it felt like an interesting piece of characterisation and commentary straining against the structure and realities of a big budget third-person shooter. In some ways that was the ideal vessel for the story but All Walls Must Fall looks like it’s taking some of the ideas – from investigation of politics and social structures to the use of graffiti, posters and propaganda – to far more interesting spaces.

Early Access is set to begin in Autumn. For more info, point your browser and face at this devblog post.


  1. apa says:

    If that was set in 1989 it could be this: link to (HELL’S CLUB.OFFICIAL.MOVIE MASHUP.AMDSFILMS.)

    Anyway, interesting setting!

  2. technoir says:

    That’s pretty goofy name for a serious-looking game.

    Also, “tech-noir tactics game”? Something about that sounds strangely familiar…

  3. Heavenfall says:

    “To navigate its perils and its nightlife, you’ll use a combination of social stealth, time travel and combat.”

    One of those is not the same as the others. “You’ll have to make do with your wits as a detective, your trusty sidearm and fifty nuclear atombombs” or “Learn to cast spells such as lightbulb to light up rooms, hawkvision to enable zooming in on objects, or summon Craxtalaz the REAPER OF DOOM END OF MORTAL COIL ARMAGGEDDON’S HARBINGER”.

    • Darloth says:

      So you’re saying Combat doesn’t fit?

      That seems to be what you’re saying, from your other examples :)

  4. TheDandyGiraffe says:

    Sounds more like a premise for some social-surrealist movie than a tactics/action game – which is probably a good thing, coming from the people who basically adapted Conrad as a shooter. One night in nightclubs of cyberpunk(ish) Berlin, with alternate history, Cold War politics, stylish propaganda and obvious Syndicate inspiration? Seems perfect – I just hope this time the setting is not quite as detached from the gameplay side of things as it was in Spec Ops.

    • Hedgeclipper says:

      “adapted Conrad as a shooter”

      I see this get repeated a lot but I don’t really see it apart from the superficial quest structure there’s really not a lot in common. It certainly didn’t engage with imperialism or racism much (unless ironically in as much as you didn’t see any non-Americans at all in Dubai for most of the game), the main character is out and out delusional, the protagonist engages in an awful lot of faceshooting which seems very un-Conrad-like…

  5. JFS says:

    … or you could just visit actual Berlin. Not as monochrome, but even more synaesthetic nightclub experiences. Social stealth and combat included, of course.