In this (probably) monthly column, I’ll be looking at the inspiration and techniques of the industry’s greatest concept artists. This month, I talk to environment specialist Thomas Scholes.
One of the things I like so much about Scholes’ work is his ability to blend impressionistic brushwork with a keen sense of three-dimensionality. His paintings are sometimes ambiguous and the textures within them ignore finicky detail, and yet somehow they convey an incredible sense of luminosity and depth that completely enwraps you in the fantasy of that space. Looking at them, you somehow know what it would be like to step into them, what the air would taste like, what it would feel like on your skin.