Posts Tagged ‘interview’

Predicting Tomorrow: The Art, Architecture And Fashion Of Deux Ex Mankind Divided

Deus Ex: Mankind Divided[official site] is already looking like a worthy follow-up to Human Revolution as well as an inventive prequel to Ion Storm’s original cyberpunk classic. When we visited the studio to play the game earlier this month, we also spent time talking to two of the brains behind the game about the inspirations and processes that go into this bleak vision of the future.

First up, here’s Jonathan Jacques-Belletête, executive art director at the studio. We spoke to him about collaborative storytelling, fashion, architecture and graphic design. Along the way we learned about content cut from Human Revolution, the places that Deus Ex is going next and why Jacques-Belletête believes that India could be a perfect cyberpunk setting.

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How 80 Days Adapted The Modernist Spirit Of Verne

80 Days [official site] has finished its journey around mobile platforms and finally arrived at its ultimate destination, the PC. If you read our review earlier this week, you might know I like it.

Back in March, long in advance of the PC version’s announcement or release, I met Inkle founders Jon Ingold and Joseph Humfrey alongside 80 Days writer Meg Jayanth. They told me about adapting the spirit of Jules Verne, their responsibility to be progressive, the importance of writing games with people and dialogue, how to make players trust that their choices matter, what Phileas Fogg has in common with James T. Kirk, and what Verne might have thought had he played the game.

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Interview: Overwatch Game Designer On Blizzard’s FPS

Overwatch [official site] was rather a highlight of the recent European Road to Blizzcon event for me. It’s Blizzard’s foray into first person shooters and has provoked a lot of TF2 chat and comparison from colleagues. A build of the game was playable in two demo zones so I had hands-on time with a clutch of characters. I found it to be an intriguing proposition despite having been lukewarm at best about the trailer videos. Progressing on the two maps available felt like problems to solve using heroes and their abilities as well as an exercise in shooting characters successfully.

It’s still very much a work in progress and there were elements I was less sure of so game designer Geoff Goodman stepped up to answer my resultant questions. Questions like “Is it hard to make tanks?”, “How do you even start designing matchmaking?”, “When’s the beta?” and “Can’t you just cheat in your office Overwatch tournament?”

Read on for his replies:

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Heroes Of The Storm: Grubby On How To Watch Pro Matches

The finals of the Heroes of the Storm [official site] European Championships were mere hours away as I huddled on a sofa with match caster Manuel ‘Grubby’ Schenkhuizen. He’s a former Warcraft 3 World Champion and StarCraft 2 pro player but this weekend he was dispensing wisdom on the subject of Blizzard’s all-star hero brawler. Meanwhile I was stealing his expertise and putting it in my game journalist pouch so I could feed it to you later.

What I wanted to know was this: how to make the jump from playing HotS with more enthusiasm than expertise in a pool of friends and strangers to watching a competitive HotS match and knowing what on earth is going on.

You need to be more like an anxious parent at a music recital. Read on to find out why!

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The Future Plans & Popular Grind Of Ark: Survival Evolved

Ark: Survival Evolved [official site] is currently the fifth most played game on Steam. It’s not the first early access survival game to reach such heights, but so far it’s one of the few to have maintained it. At this year’s Gamescom 2015 I spoke to co-creative director Jesse Rapczak about what he feels Ark is doing different, their release and expansion plans, how you foster a less sociopathic survival game playerbase, and why his game is so grindy.

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The Design And Politics Of Deus Ex Mankind Divided

At Gamescom 2015, I had the opportunity to talk to Deus Ex: Mankind Divided gameplay director Patrick Fortier. We talked about feeling a sense of ownership over Deus Ex at last, expanding the language of its level design beyond vents, and the politics of a “mechanical apartheid.” Before I asked him about the game’s ceilings.

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Galaxies, Wrenches And Disclosures: Gunpoint Creator Tom Francis’ Heat Signature

Heat Signature [official site] is an action/stealth game in which you can go inside the spaceships, from the team behind Gunpoint. I played a recent build last week and spoke to its lead designer Tom Francis about how how it’s grown into a game of factional war, if it can ever be finished, comedy wrench KOs and the awkwardness of journalists covering ex-journalists’ games. By which I mean: disclaimer – I used to work at the same magazine company as Tom, and we socialised on occasion.

Heat Signature’s pratfalls-in-space concepts were a giggle already, but the scope has expanded dramatically since the first time I saw it, less than a year ago. It’s becoming Galactic Civilizations as well as this sort of high-speed, outer space heist game. Gunpoint’s use of physics as both freeform puzzle and source of Three Stooges comedy ethos is very clearly in there, as is a shared determination to ensure the player is doing their own thing in any given second of the game, but as well as stealing procedurally-generated spaceships you now get to play galactic factions against each other in a persistent universe. This wasn’t the original plan.

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Nuclear Throne’s Vlambeer: “If The Customer Was Always Right I Wouldn’t Have A Job”

When I meet Vlambeer’s Rami Ismail, it’s in the middle of the annual Develop conference in Brighton. He’s a striking figure in a sea that’s half middle-aged businessmen and half wide-eyed, unshaven young developers in t-shirts: improbably tall, wearing a leather jacket on a hot summer’s day, hair everywhere, and a mile-a-minute patter that conveys extreme confidence without evident arrogance. He’s nearing the end of Ramadan, which means he hasn’t eaten during the day for several weeks, but has the energy and enthusiasm of someone about to climb Everest. Like his company’s offbeat action games and his often highly outspoken social media style or not, it is little surprise that this guy became so successful – though of course the raw, joyful appeal of games including Nuclear Throne, Super Crate Box, Luftrausers and Ridiculous Fishing went a long way towards that.

But would the confidence and conviction that he has when he wades headlong into the gaming issues of the day or, as he does in his keynote Develop speech the next day, declare that listening to one’s customers is not necessarily the best policy, be there if he didn’t already have the safety net of that success? In the unedited transcript below, we talk about that, about his feelings towards his own customers, indie ‘luck’, why games want rockstars, Ubisoft’s women characters controversy and why he doesn’t feel he can tell anyone else how to be successful.
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The Asylum Horror Game That Isn’t A Horror Game

I took a look at the trailers for this Italian-made ‘psychological’ thriller a couple of weeks ago, and worried aloud about whether they’d be able to achieve their stated aim of helping people understand “the true meaning of mental illness” given that The Town Of Light seemed to include many ‘spooky asylum’ tropes.

I played a small section of the game and spoke (via translator) to the Italian team behind The Town Of Light at last week’s Develop conference, and now at least have a clearer idea of what it is.

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Deus Ex: Mankind Divided: An Interview About Jensen 2.0

“Deus Ex meets District 9″ is how the company described Deus Ex: Mankind Divided [official site] during a demo I attended at E3. Set two years after Human Revolution, Mankind Divided showcases a society still deeply fearful after the Aug Incident where mechanically augmented people turned violent, stripped of self-control after a signal deliberately interfered with their in-built bio-chips. The scale of the incident means augmentations are now viewed with suspicion and augmented people treated as outcasts. Adam Jensen himself is working as a counter-terrorist agent fighting some of the resultant crime. Well. That’s his day job. He secretly believes the task force was set up by the Illuminti for a different purpose and is working to take them down.

“He’s a tool and a weapon,” is executive game director Jean-François Dugas’ analysis of this Adam Jensen.

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