Difficult to play
The voices won’t stop. They’re whispering in my ear, gnawing at my skull from all angles. “Turn back”, one says. “They’re watching you”. “She falls for their tricks every time,” says another, cackling while Senua screams. More than once during Hellblade: Senua’s Sacrifice [official site] I had to fight the urge to rip the headphones from my ears. As a portrayal of how harrowing it is to live with psychosis it undoubtedly succeeds, and it uses Senua’s illness as a route into an excellent eight-hour story about love and loss. But, sometimes, especially in its combat segments, it’s also difficult to play for the wrong reasons. Read the rest of this entry »
There was an unexpected element to DmC: Devil May Cry. It was always going to be about smashing up demons. It was always going to feature weapon-switching, combo-building, score-chasing, and combat tech-fests. What was possibly more of a surprise was it being an outlandish political satire which takes aim at consumer culture, finance and banking, surveillance society, and right-wing media. Ninja Theory’s Dominic Matthews explains the role satire plays in DmC’s cultural commentary on evil.
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