Posts Tagged ‘preview’

Mirror’s Edge Catalyst’s Gamescom Demo Was A Relief

I wouldn’t count myself as a fan of many things, but the derision and disinterest inspired by the first Mirror’s Edge makes me want to champion it. It was a game with terrible boss fights, flawed combat and a tedious story, but also one worth celebrating for the things it got right, such as its first-person movement and its beautiful, brilliant world.

Those same things also make me nervous about the sequel. When I went to see EA’s Mirror’s Edge Catalyst [official site] presentation at Gamescom, I wasn’t sure whether it would amplify the parts I liked or disliked.

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Improvisation, Experimentation And Dark Comedy: Hitman Is Coming Home

I find his trigger finger terrifying

Absolution might be a fitting tag for what looks like a return to form and a casting off of the sins of the past, but since that subtitle’s already taken, I’m hoping I’ll be able to justify referring to this one as Hitman: Redemption [official site]. So far, the signs are good. I spent some time in the company of IO Interactive’s studio head, Hannes Seifert, as he played through a mission set at a Paris fashion show. As he manipulated NPCs behaviour and demonstrated some emergent possibilities, Seifert said all the right things about recovering the best of the series’ past. The game – this portion of it at least – backs him up convincingly. It’s looking good.

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Overwatch Is A Very Blizzardy First-Person Shooter

Blizzard like to hop between genres, that much is clear. At their Gamescom conference they talked about Legacy of the Void, an RTS; Hearthstone, a collectible card game; Heroes of the Storm, a MOBA (or ‘hero brawler’, if you accept Blizzard’s nomenclature); and Overwatch [official site], a first-person shooter.

But after playing Overwatch, which visually recalls Team Fortress 2, I’m starting to think Blizzard’s games all have more in common than their surface suggests. I’m beginning to think there is as much a ‘Blizzgame’ formula as much as there is a ‘Ubigame’ formula.

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Paradox’s Space Strategy Game Stellaris Has Won Gamescom

Paradox’s internal development studio, responsible for Crusader Kings, Europa Universalis, Victoria and Hearts of Iron, is deep into development on a space strategy game. We’ve already seen it, and picked the brains of CK II maestro and project lead Henrik Fåhraeus and EU IV designer Tomas Johansson about this giant leap for the studio. The project, which the company announced at their Gamescom fan gathering moments ago, goes by the name Stellaris and it’s shaping up to be one of the most exciting games in recent years.

Below, you’ll find everything we know, including how randomised alien species will ensure that each new galaxy is mysterious, and why the commitment to an intelligent and subversive end-game could make this one of the smartest interpretations of 4X strategy ever made.

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Crime, Clubs And Beach Bars: Cities Skylines – After Dark

Delving into the glamour, glitz and grime of nightlife, Cities: Skylines’ first expansion, After Dark, introduces revamped crime mechanics, specialised commercial areas, beachfront entertainment and a day/night cycle. We’ve been looking at the expansion in the company of developers Colossal Order.

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Hands On: RymdResa

It’s tough to pin down exactly what sort of game RymdResa [official site] is going to be when it comes out next month, not least because it keeps changing as you go through. Split into three chapters, each slightly varying on the last, it’s a 2D space exploration/thruster-based arcade game, with poetry. You know the sort. I’ve had my hands on some code.

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The Asylum Horror Game That Isn’t A Horror Game

I took a look at the trailers for this Italian-made ‘psychological’ thriller a couple of weeks ago, and worried aloud about whether they’d be able to achieve their stated aim of helping people understand “the true meaning of mental illness” given that The Town Of Light seemed to include many ‘spooky asylum’ tropes.

I played a small section of the game and spoke (via translator) to the Italian team behind The Town Of Light at last week’s Develop conference, and now at least have a clearer idea of what it is.

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Ghostly Machines: Hands On With SOMA’s Opening Hours

Over the weekend, I played the first third of SOMA [official site], the new game from Frictional, the horror maestros behind Penumbra and Amnesia: The Dark Descent. If the tone and quality of the game remain approximately similar for the remainder of the running time, Frictional will have delivered their most accomplished title to date, but it might also be their least terrifying. That might be a good thing.

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Hands On: Just Cause 3

Just Cause 3 [official site] is a spectator’s dream. I’d been playing for at least two and a half hours when I decided to take a walk around the room to see what all of the other journalists were up to. Some were testing the physics by attaching cars to boats, planes to people and spluttering scooters to everything. Some had learned to navigate the game’s new yet familiar setting – the fictional Mediterranean island of Medici – like ground-skimming superheroes, swift creatures of the air who used a combination of grapple lines, wingsuit and parachute to stay airborne. Some were exploding everything.

On one screen the Looney Tunes violence elsewhere had been transformed into something grim.

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Impressions: Anno 2205 Takes City-building To The Moon

“We choose to go to the Moon” says Dirk Riegert, the creative director of Ubisoft Blue Byte. Except he doesn’t – he actually says something like “we will go to the Moon”, which is nowhere near as good a quote, and the reason he’ll probably never be elected as President of the United States.

Fabricated quotes aside, I’m in a German town called Mainz – home of the printing press and the Gutenberg bible – to see something a little more futuristic. It’s Anno 2205 – the newest entry in the strategic city-building series where the numbers always add up to nine, and Riegert’s explaining how this entry differs from the previous ones. “We are leaving Earth for the first time,” he says. “2205? It’s time for the space elevator to go up through the stratosphere.”

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