RPS Feature Interview
Yesterday we spoke to The Secret World‘s project lead, Ragnar Tørnquist about the game’s factions, mythologies and more peculiar ideas. Today we get a bit deeper, and dig into the motivations behind it all. Why the recurring themes in Tørnquist’s work? Does he have an agenda? And why does most of gaming not? We have a good argument about the nature of truth, and ask where games are falling short. And then somehow again return to the topic of Ragnar’s death.
RPS Feature Interview
After spending some time at Funcom’s Oslo HQ to see The Secret World, I sat down with project lead Ragnar Tørnquist to chat about the game, the process that led up to it, and how it fits in with his philosophy of gaming. In part one of our chat we talk about the game’s origins, find out why we should care about each of the three factions, how Funcom is able to make games that don’t match the trends, some of the more peculiar and esoteric plans for blurring our realities, and finally how the game is going to inevitably lead to Tørnquist’s brutal murder.
Yesterday we spoke to The Secret World project lead Ragnar Tørnquist. He revealed a whole bunch of new information about the urban fantasy MMO of monsters, secret societies and mysterious evil, which is now sounding increasingly awesome: a (sort of?) real-time combat system for PvP, a subterranean city for the secret societies for fight over, and a mutual war against evil and darkness in the real world. Along with the three factions he’s revealed a little about their HQ buildings, the share social hub for each faction, and the PvP impact of guilds, or cabals as they will be known. More promising, perhaps, is an MMO that eschews traditional vertical structure of RPGs, opting for a “horizontal” advancement that will allow people to contribute to higher end PvP stuff from the very start. Yes, there’s every reason to believe that Funcom might finally be on the right track. Read on for our chat with Tørnquist, or go here for our previous interview.
Funcom’s contemporary dark fantasy, The Secret World, is an MMO with a cliffhanger ending. So says its creator, Ragnar Tørnquist. In fact, it’s claims like this that make this one of the most significant MMOs currently in development. Hell, with CCP not having released any details at all for World Of Darkness, this is probably the most interesting forthcoming MMO we’re aware of. Anyway: braving the nightmarish audio confusion of my echoing speakerphone interview setup, Funcom’s project lead took some time out to talk about the game, with its conspiracy theories and modern mythologies, and his feelings about high heels. Of course I didn’t start by asking any relevant questions, and asked about Anarchy Online instead.
Dreamfall Chapters news comes rarely, and often without detail, but Funcom’s Ragnar Tørnquist has sneaked out a couple more bits and pieces. Bits and pieces he’s quick to stress are unofficial, from him, and not representative of Funcom. First and foremost, that it definitely still exists. In the sense that it hasn’t been given up on. While Funcom is in a bit of turmoil, making a sizeable loss and losing their CFO, it’s good to know that Tørnquist and his The Secret World team (who have a lot in common with his Dreamfall team) are still continuing at full speed. And it’s good to know that the thinking is long-term, and that Chapters is still to come. Now a few more details about how Chapters will work have appeared.
In this final part of our interview with Ragnar Tørnquist, we begin by discussing why he writes female characters for the leads in his games. Then we move on to get to grips with the story behind Dreamfall, the problems with the game, and eventually the roll of faith in Ragnar’s games. We finish by discussing the potential for Dreamfall Chapters. It’s been a while, but just in case the below contains complete spoilers for both The Longest Journey and Dreamfall.
Before we begin, I want to get sappy for a moment. It was a dream come true for me to discuss TLJ and Dreamfall like this. Both games had their flaws, but I will argue until death that barely any other game parallels their storytelling. As the faith model below should show, Ragnar and his team care about story in a way that should embarrass the crap out of most developers. Story matters to me, and I tip my hat to Ragnar and Funcom for letting it matter so much to them.
In part two of our interview with The Longest Journey creator, and project lead on The Secret World, Ragnar Tørnquist, we get down to discussing The Longest Journey and Dreamfall. TLJ is a game that’s very special to me, and one I credit as having affected my life.
What follows is the most involved discussion of the game, and its sequel Dreamfall, I’ve seen from Ragnar, talking about the philosophy behind the game, the messages it contained, what it’s like to have aged ten years and reflect, and not least the news that The Longest Journey started life as a platform game. We’re joined by Dag Scheve midway through, which derails the conversation impressively. And if you look carefully, there’s also some more exclusive snippets about The Secret World hidden in there.
RPS: How old were you where you when you started developing The Longest Journey?
Ragnar: I was 25.
