Posts Tagged ‘RPS Recommended’

Raft’s early access is a solid and splendid survival sim

When the waves build, when the wind gathers, and the briny water sloshes over the deck of your precarious floating home, there is absolutely nothing like Raft. While the former Itch.io star shares inevitable comparisons with a few other aquatic survival sims – Stranded Deep, Subnautica, Salt – this dramatic overhaul that has recently arrived into Steam’s early access is very much its own thing. And a joyful and splendid thing it is. Read the rest of this entry »

Wot I Think: Unforeseen Incidents

Oh my! Oh what an actual proper treat. Ladies, gentlemen, humans of Earth, I have for you a really good point-and-click adventure game! It’s Unforeseen Incidents, and here’s wot I think: Read the rest of this entry »

Wot I Think: Minit

Minit is that most rare of joyful things: A really good idea, done really well.

In Minit you play a little bird-like pixel character who lives in a black and white pixel world, and is cursed with only ever living for a single minute. And yet despite this limitation, it presents a little RPG. HOW?! you ask, in your belligerent way. Hush, I shall tell you. Read the rest of this entry »

Wot I Think: Final Fantasy XV Windows Edition

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The story of Final Fantasy XV is a tricky one to unpick. There’s the story about how it took ten years to actually come out, transforming from a Final Fantasy XIII spin-off into the boyband roadtrip-stag-do adventure we know today. There’s also the story of what happened after it came out, where a large chunk of its third act was almost completely rewritten and streamlined after people started complaining about how linear it had suddenly become after spending hours and hours on the glorious open road.

Then there’s the story of the game itself, which, at this point, has been spread across so many different forms of media, including a film, four anime episodes, four bits of DLC, a mobile spin-off and a multiplayer expansion (with even more to come, no less), that only three people in the entire universe actually understand it and would be able to recite it to you from start to finish.

But the story of four lads saving their home from an invading imperial army isn’t really what Final Fantasy XV is about. In fact, it’s arguably the least memorable thing about it. That might sound blasphemous for a JRPG, where the story is traditionally one of the most important parts of a game, but every conservation I’ve had about Final Fantasy XV over the last sixteen months always boils down to one of three things: food, photos and friendship. And it’s those that make it one of the best and most interesting goddamn JRPGs of the last decade.

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Wot I Think: Chuchel

Chuchel is a tour de force of animation, every scene so vibrant and hilarious, colourful and manic, the slightest tweaks in character facial expressions eliciting guffaws. Every new scene is a glorious delight just to look at, before you even start playing with it. And then, as you click on every element on the screen, delightful, silly and gorgeous things happen. This is a game where I find myself trying to work out what is the correct solution to any given puzzle, just so I can avoid clicking on it before I’ve clicked on everything else. I exhaust every repeated joke until it loops, don’t mind when they do, and call people in from other rooms to see the funniest moments. Chuchel is, beyond belief, wonderful.

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The Flare Path: PIAT fails and PITA whales

Three of the first four Close Combat games are now back in legal circulation thanks to GOG.com and current licence holders, Slitherine. For years I’ve been telling myself that prolonged exposure to Combat Mission and Graviteam Tactics would make a long-term relationship with Atomic’s top-down tussle series – a series I loved dearly in the late Nineties – difficult today. I now realise I was wrong. Twenty years on Close Combats 2 (aka Close Combat: A Bridge Too Far) and 3 still entertain as consummately as any of the tactics titles that followed them. Read the rest of this entry »

Wot I Think: Fe

Fe is, I’m so pleased to report, utterly wonderful. I’ve no idea how to say it, whether it’s “Fee”, “Fey”, or maybe even “Iron”? It matters not. It is, perhaps, the most beautiful game I’ve ever seen. And playing it, swooping, running and leaping about in its world, has been a complete delight. And continues to be, even after I’ve ostensibly finished it. Here’s wot I think. Read the rest of this entry »

Wot I Think: Playerunknown’s Battlegrounds

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I had done what I always do. That’s how I ended up on the southern coast of Erangel, as far as it was possible to be from the randomly placed circular safe area. My only hope of reaching safety was to find a vehicle. I’d just spotted one 20 yards ahead of me by the side of a road when another player, one of the hundred people fighting to be the sole survivor on this island, sprinted past me in that same moment, heading straight for the car.

I did something I rarely do in Playerunknown’s Battlegrounds. I opened fire. Read the rest of this entry »

Wot I Think: Gorogoa

Gorogoa feels like a sort of magic that might fall apart in the understanding. It’s a beautiful story in which you solve puzzles more by instinct than deduction, and their solutions feel as magical as the process. Its impossibly overlapping world weaves a delicate fiction that stretches beyond the boundaries of its central conceit. Read the rest of this entry »

Wot I Think: Nioh – Complete Edition

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Describing a game as X meets Dark Souls is a sure way to invite mockery and contempt. It’s lazy critical short-hand, people will say, and they’re often correct. Well, prepare to mock. But only a little.

I promise I’m not being lazy when I say that Nioh is Dark Souls meets Sengoku period Japan though, and to prove it I’m going to use that short-hand as a starting point rather than an end-point. Fortunately, where Nioh differs from Dark Souls is far more interesting than where the two games overlap.

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Wot I Think: Assassin’s Creed Origins

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A soft reboot four years in the making, Ubisoft Montreal’s Assassin’s Creed: Origins is one giant step back in time plus a smaller step forward in terms of world design, a stumble in terms of its levelling system, a sideways hop as regards combat and an exercise in jogging on the spot in terms of missions. This is exactly the kind of complex footwork that leads to messy accidents during parkour sequences, but somehow, the game keeps its balance throughout, though it’s not quite the revival I was hoping for.

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Wot I Think: Wolfenstein 2: The New Colossus

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Wolfenstein 2: The New Colossus does not pull its punches. Early in the game a returning villain asks, “is this what a hero looks like?” She’s mocking and threatening a wounded, degraded and broken woman. She’s about to execute that woman.

Wolfenstein’s answer is a defiant “yes”. Its heroes don’t look like any one thing because they are many and they are diverse. They are survivors and fighters and thinkers, black, white, American Jewish, British, German, male, female, disabled, disfigured and powerful. They’re also flawed – sometimes too angry, sometimes too selfish, sometimes too afraid to face up to reality – but they are the kind of people you’d want in your corner if the world went wrong.

They’re also the game’s greatest asset and its most potent weapons.

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Wot I Think: The Evil Within 2

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The Evil Within 2 begins by wearing its heart on its sleeve; here’s a burning house, and oh no, the protagonist’s daughter is inside it. From the outset, it yells in your face that this is going to be a Tragic Dad story, the most beloved of videogame narrative tropes. And it never really rises above this familiar narrative conceit as Sebastian Castellanos explores a horror world filled with bad science and twisted terrors in pursuit of his kidnapped daughter. It’s predictable. In other hands, it could’ve been trite. But The Evil Within 2 revels in its horror b-movieness. It embraces it, telling a surprisingly heartfelt and sincere tale of a man who just wants the best for his loved ones. Even if he has to descend into actual hell and face off against some of the most hideous monsters ever conceived in order to achieve this. Read the rest of this entry »

Wot I Think: Total War – Warhammer 2

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In three more turns, the ritual will be complete, and I’ll be one step closer to controlling the Vortex that holds the forces of Chaos at bay. In two more turns, Skaven and Chaos armies will be at the gates. I’m surrounded. By land and sea they arrive, this howling mass of warped warriors and chittering rat-men. Army, after army, after army, all attempting to stop the ritual. Total War: Warhammer 2 [official site] is a race, and it’s an utterly savage one.

From the safety of the other side of that campaign I can tell you that I survived. Just. Reinforcements made it in time, slaughtering the rats and warriors by their hundreds. It was touch and go for a bit, though, which is fairly typical of Creative Assembly’s bloodthirsty sequel.

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Wot I Think – Dishonored: Death of the Outsider

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Me: someone who believes that gothbro apparent trickster god The Outsider is the worst thing that ever happened to the Dishonored games, and thus positively relishes the chance to kill the blighter.

Also me: someone who is absolutely determined to play Dishonored games without causing even a single fatality.

Hmm. Standalone expansion Dishonored: Death Of The Outsider [official site] makes life pretty tricky for me, then. Read the rest of this entry »

Wot I Think: Two-button metroidvania Necrosphere

I am completely and totally in love with platformer Necrosphere [official site]. I have also shouted at it so much that I now genuinely have a sore throat. I cannot remember a time when I’ve improved so, so much at a game in a relatively short space of time, to the point where completing certain sections has had me begin to imagine statues built in my honour. And then I come crashing down to Earth as I struggle with the very next moment. It’s a complete joy, a full 2D Metroidvania, and yet the whole game is controlled with only two buttons. Read the rest of this entry »

Wot I Think: Songbringer

I find Songbringer [official site] absolutely fascinating. It’s like the fragmented remains of a game, carefully discovered and pieced together as you play. A stunningly beautiful conflation of pixel graphics and intricately complex lighting effects, creating a fractured and intense look, presenting a combination of action RPG and rogue-ish exploration of a wonderfully detailed yet procedurally generated world. What you’re doing, why you’re doing it, how best to do it – that’s what I’m putting together the more I play. Here’s wot I think: Read the rest of this entry »

Wot I Think – XCOM 2: War Of The Chosen

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I can’t help but think of a sausage. A huge, fat, glistening sausage, bulging with meat (or the nearest vegetarian equivalent) to the point that the innards have burst through the skin, forming deliciously fatty globules on the surface. There is surely no room for more, but nonetheless even more has been stuffed inside it. It clearly shouldn’t work. It’s almost obscene. It looks like it will fall apart or even explode if even the slightest pressure is applied. It is sausage-based madness. The sausage is XCOM 2: War of the Chosen [official site], and it is as delectable and satisfying as it absolutely bloody insane. Read the rest of this entry »

Wot I Think: West of Loathing

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When I play games, my face (oh, it is tired) spends 90% of the time entirely inert, and the remaining 10% wincing or eye-rolling when something kills me and/or I fall off some ledge to my doom. Neither is from a lack of enjoyment, but just from being lost in an internal world of pursuing goals. You almost certainly look equally unsettling when you’re gaming.

In West of Loathing [official site], I would estimate I spent 95% of the time smiling. If you knew me (and you don’t – only my cat truly knows me) you’d know that’s highly unusual. West Of Loathing, a lovely, warm comedy RPG set in an only slightly supernatural wild west, makes me feel so happy.
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