Some say that the arms race for graphical fidelity is only good for chasing photo-realism. Mirror Drop by former ThatGameCompany developer Ian Lilley is a stunning showcase of the kinds of borderline-mystical tricks a modern GPU can pull, all while delivering a mesmerising and engaging little puzzle game. You’ve just got to roll a ball from A to B by shifting gravity, simple enough, but the spaces are a beautiful but baffling perspective-warped labyrinth of spaces within spaces. Just watch the trailer inside to see what I’m rambling on about.
While the game did make its debut on Steam recently, you can also pick it up free and devoid of DRM on its official page here, so now you’ve got no excuse not to try it.
Editor’s note: RPS will no longer be covering PAX events. We believe that the values of the company operating those events conflict with ours, and as such we can no longer endorse their actions by providing coverage of PAX events. An explanation of this can be read here. However, others argue that attending can be an effective way to respond to the company’s poor behaviour, and that being there is a way to change things from within. Nathan spoke to people on both sides of the boycott at this year’s controversial event.
To Boycott PAX Or Not To Boycott PAX? That really is the question these days, isn’t it? The saga, up to this point, has been long, turbulent, and ugly. Penny Arcade’s tangled two-headed hydra of a creative force has been at the forefront of some pretty nasty movements over the years – the Dickwolves incident, which saw Mike “Gabe” Krahulik and Jerry “Tycho” Holkins stand resolutely unapologetic over a rape joke that made many fans deeply uncomfortable (instead of saying sorry, they went and sold freaking merchandise), easily stands as the most visible. In the wake of that, similar incidents, and Krahulik acting vocally intolerant of transgender people, Gone Home developer Fullbright – who we spoke to in regards to this article – went so far as to pull out of this year’s PAX altogether. But others – many of whom absolutely abhor Penny Arcade’s oftentimes turgid stances and values – attended despite all of that. Speaking with developers behind games like Journey, Always Sometimes Monsters, and Child of Light, and other fans and critics from many walks of life, I found out why.
Today in our series of chats with (almost) all the PC and Mac-based finalists at this year’s Independent Games Festival, it’s indie collective CoCo&Co’s fascinating, dialogue-free co-op puzzle-platformer WAY. The game is nominated for the Nuovo award, and was also a winner at this year’s IGF Student Showcase. Here, the team talk about their impressive games industry origins, the concept of playing games with an anonymous partner, how games can form emotional connections with their players, breaking down the barriers that so often separate gamers who don’t speak the same language, and their answer to the most important question of all. Read the rest of this entry »
